Costume Technician
1. Career choice
with duties, responsibilities and future outlook
Costume
technicians are given the responsibility of physically making the costumes
that costume designers create and sketch on paper using sewing
machines, finishing a project within the deadline. They are also able
to make alterations to or repair costumes.
Employment
was 58,000 in 2000 and is expected to drop to 51,400 in 2010. Therefore,
the future outlook is not extremely bright with a negative
11% change in employment. Yet, I do not believe that costume technician
is a job that can simply be replaced by machinery. Making
custom outfits that are unique is something that would require a highly
programmed computer if that could even handle the task. Machines
would need to be reprogrammed to make a costume very often and it seems
more of a hassle to get machinery than to keep workers,
so job security should be very high. The question is simply how much
demand there will be for such a profession.
2. Monetary benefits of career
In
2000, the median wage for costume technician was $10.14 an hour in the
United States ($21,100 a year) and $12.56 an hour in California
($26,100 a year) according to www.acinet.com. For one person to support
oneself, the Census Bureau states that they would need
to earn at least $8,794 a year.
3. Non-monetary benefits of career
One
non-monetary benefit is the fact that I should technically be able to
move around. I will never be stationed in one specific performance,
and whenever one of my costume making jobs is over with, in all likelihood,
I will be able to look around another area for work.
Yet, while I am working on costumes, I should be close to each production,
whether it is a movie or play. I will be working with the actors
and I see no reason why I would not be able to watch the filming of
each production, which should be very entertaining; especially if it
is movie that is expected to be very popular. Also, should I work with
a costume company, I should receive the normal benefits of working
at a job of vacation time, and insurance.
4. Skills
& qualifications you possess now
§ I have good arm-hand steadiness and dexterity. I will be
using my fingers constantly while making costumes, holding the fabric
in a certain way, pinning the fabric, or sewing. It is very important
that I am very good with my hands so that each costume will be created
to the best of my ability.
§ I am a very critical thinker when it comes to making costumes.
I can look at a costume design and figure out various ways that
I can complete a costume to look like a picture without using patterns.
I also had to use my critical thinking to figure out how to create
a showing and hidden zipper. I have also had to make various adjustments
to costumes such as making a high neck, and adding extra length
to a dress.
§ I also have great near vision and am able to see objects
at a close range. It will be important, not so much now, but when
I am older because I will be working very close with the fabric
while pinning and sewing.
§ I am also working at Hancock Fabrics now, which is giving
me a lot of fabric experience. I am learning about the various fabrics
that are available such as Fleece, Flannel, Ponte, Bonavista, Satin,
Suede, Cotton, Crushed Penne, etc.
§ I have already made costumes so I do know that I have talent
with making them. I have been able to look off of pictures and recreate
the outfit that was show, paying strict attention to detail. It
is very likely that I am so good with costumes because I have been
drawing since I was little and I am very good at correctly perceiving
proportions.
I am just now finishing up my high school career and I know that
it will be essential for me to go to college if I want to receive
high pay. I will apply for scholarships to pay for a few years of
college, and for my freshman and sophomore college years, I plan
to go to the community college to receive my general credits that
I need to graduate college. I will also looking various subjects
to ensure that I am making the best choice for my career. (While
I am attending the Junior College, I will continue to work at Hancock
Fabrics and save up money for my junior and senior college years.)
Then, after the two years, if I am positive about becoming a costume
technician, I plan to attend a college that is very focused on theatre
(period dress and décor, esthetics for the stage, seminars
in lighting, theater theory, scenery design, and/or costume design?)
where I will be able to acquire the skills that are necessary to
become a talented costume technician. Once I graduate college, I
hopefully will be directed as to where I can find work. Hollywood
seems like a very likely place to be a costume technician because
major film companies are located in that area. There will be competition
from other costume designers; yet, there should be many jobs available.
Perhaps I will need to intern for a while before I will actually
be hired, but that would give me plenty of experience that will
help me survive as a costume technician.
6. Sources of likely support (financial and
emotional)
I understand that it is very important for me to
receive scholarships since my brother is already in college, and
my sister and I will be starting college at the same time. College
is very expensive and I don’t believe it will be too easy
paying for it. If I was able to get scholarships, it would save
us a lot of money. Money is another reason that I’m going
to the community college as well. I will be able to keep my job
at Hancock Fabrics longer and a Junior College is only a few hundred
a semester compared to a couple thousand a semester. Yet, I should
be able to also receive some help from my parents to help me pay
for college. (And of course I’ll have to pay them back once
I get a good paying job.) And my friends will be a good source of
emotional support. I should be spending time with Cristina and Michelle.
I plan to take a few classes with them, which will be very comforting
to me. (Unless Michelle finally moves away, which she very well
might.) And Amitie will be around for me to spend time with. I do
not want to ever lose contact with her even when I leave Napa to
go to a real college.
7. Sources of likely hindrance (financial and
emotional)
I myself am a hindrance to my moving on in life. I don’t
want to take the responsibilities of life and start thinking about
my permanent career or leaving the security of my high school life
right now. And I have problems focusing on tasks that do not directly
relate to my grade. Such as the scholarships and trying to save
money. I know that those are very important, but I am only motivated
to work on something when I know that it will maintain my good grades
in school. Yet, money is a very important issue. I am not sure if
my family and myself will have enough money to pay for college so
I need to start saving now and try my hardest not to spend my money.
I’ll definitely have to work during the summer, perhaps full
time.
Also, I will have to worry about the actual work of a costume technician.
I am not sure if I can make costumes fast enough or as the company
wants them made. And even if I can, I cannot expect to have a steady
job. I could very well have to wait weeks between jobs. Which means
that I will have to work temporary jobs in between or else study
in the more general area of set technician, and help with sceneries.
I am not sure whether I should just be a costume designer, though.
It almost seems as if costume technician is not a well-known job,
and therefore would not have a very good demand. Yet, if I go into
the job of costume designer, I know that I will not be creative
enough with drawing an outfit (I never have been) and I would probably
go crazy from drawing. But I have to wonder that if there is a demand
for costume technicians, what makes me so much better than all the
other costume makers on the Internet. Many of them seem very good
at making costumes; yet, they are not making a living from it. What
makes me so much better that I can do this for a living?
8. Personal reflection
I’ve been studying various aspects of costuming. I’ve
looked at costume attendants, costume designers, and costume technician.
I’ve especially learned the duties of costume technicians
which involve supervising the costume making aspects of the play,
maintaining the actor’s wardrobe, researching the certain
clothing of a specific time period, creating and drawing sketches
of outfits and ordering the specific materials that the are needed
to make the costumes. I simply do not think I could go into such
a job, which I believe Ms. Wheaton thought I wanted. She had tried
to tell me which schools offered fashion design, etc. However, I
do not want to take on such a job. If anything, I would like to
physically make each costume that movies and plays need. I have
seemed to enjoy myself when I have made the costumes for convention.
And I think there is at least some demand for costume technicians
because I have seem various movies in which it would be impossible
to buy the various outfits that the characters are wearing.
Yet, I simply do not know if I want to be a costume
technician for the rest of my life. At the moment, it seems like the
best occupation for me to go into because I have not been crazy about
any subjects that I have taken in high school and other that those
subjects, I can only draw. (And I refuse to go into a drawing profession.)
All that I can hope to do is go to the community college and explore
as many different subject areas as I can so that I can really find
what I would like to do with the rest of my life.
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